Our history is a lot more than meets the eye..

And this particular eye had thoroughly enjoyed the visual treat whilst on The Bicentennial Experience! I have never really like History as a subject finding it dull and mostly sad thus I quite promptly dropped it in Secondary Three. But being a patriotic Singaporean, missing this would be out of the question and boy am I glad I made time for it. Surprised myself with the number of pictures I had taken; it shows just how successful the organising team is in making history come to life. It was not sufficient to enjoy the various presentations in the flesh. 

Here are some of my feeble attempts to make memories and capture how impressed I had been with what I saw.. 

The Time Traveller

Right from the start at the Atrium, with some clever light trickery, visitors witnessed how rain (real water!) freeze in mid air and then rise instead of fall! The commentary stated that this "provides insights into how weather played a significant role in the rise and fall of civilisations and cities" but I much preferred the symbolism of time being turned back more than 200 years. 

Took a video but of course the optical illusion no longer works after being processed by a camera.......

  Act 1 1299 - 1613 Beginnings

As I attend this exhibition with zero expectations, it took me quite some time before I was finally convinced that the actors before my eyes were performing live. Given how close they were to the spectators, it was quite an intimate set and they were so professional even after the nth performance?! The use of the moving travelator is incredibly clever and seamless in implementation together with the multimedia projections. I noted with astonishment that the martial art choreography was the product of Lim Yu-Beng!

trying to capture how the multimedia projection is all immersive being both in front and behind the stage - and failing miserably - unless you can see shadows of flames on the transparent screen?!

 Act 2 1819 Arrival

 
I love how visitors get to sit in a pseudo ship and enjoy a panoramic view just like one would when out at sea! However, the concept of seeing the narrative through the eyes of animals was totally lost on me up till the point of the dragonfly.. it just was not that evident.. 

My History classes had taught me that Farquhar was Raffles's right hand man but apparently not....

Act 3 1867 - 1941 Connectivity

"Moving screens and rotating seats, which simulate the turning of the wheels of machinery" brought us from Act 2 to Act 3 without us even getting off our butts. And physically feeling the motor of the revolving platform really emphasised the "mechanical strength that powered the rise of industralisation". Then there was also the colourisation of actual photographs of families from that era which contrasted with the darkness and grime of inevitable social ills. The first hint of the sad component of history but totally cool presentation.

 

Act 4 1942 - 1945 Occupation

Hands down my least favourite part and no fault of the exhibition itself, just the content. The setting of dimly lit spaces and cracked walls in narrow tunnels effectively forced visitors to feel the oppressive atmosphere. The re-enactment of an actual survivor of Sook Ching also felt too real for comfort.

 

Act 5 1950s - 2019 Destiny

The most talked-about act of the entire experience! It was supposed to provide "an uplifting finale" but for a long while I could not get past the fact that I really personally bear witness standing at the Padang, drenched to the bones by the downpour that fell on the day of LKY's funeral procession. But yes, there were downs and there were ups. We have achieved so much which made me so proud to call myself a Singaporean and I am ready to weather any storm as a nation.

  

 

This part of the experience ended with a closing question asking every visitor to vote "Which DNA trait is most important to Singapore? Although I can certainly see how "Multiculturalism" and "Openness" play a part to our success, I chose "Self-Determination" because ....cue music! there was a time when people said that Singapore won't make it, but we did

 

 

 

 

 

 

 

The Pathfinder

This part of the experience reminded me a lot of Singapore Biennale as you can explore various outdoor pavilions on Fort Canning Hill artistically designed to reveal Singapore's place in the world through different themes. Love it!

The map - of course I tried to follow it in sequence

Emporium of the East - white clay replicas of trading goods in early Singapore and some VR surprises!

House of Maps - beautiful redesign and representation of blown up maps depicting Singapore in various names

Lookout - the exterior

Lookout - interior 1

Lookout - interior 2

Seed Conservatory

Seed Conservatory - my favourite spice!

Seed Conservatory - this is one of the better surviving ones

Lightbeam - Need to visit this at night!

Pavilion of Words - Quite a collection of books on Singapore; browsed through one of TNP

Pavilion of Words - my "tweet"

Reflections of our Past - deep in thought

Observatory

Observatory - VR fun!

 So what are you waiting for? Go see it already before the tickets run out again!! You "paid" for this massive nationalistic project, you know?

what does it mean?

Over the weekend, I attended a performance-installation curated as part of Singapore International Festival of Arts (SIFA) 2019. I had always enjoy art somewhat, I am a dancer after all and my first out-of-the-world experience at Singapore Biennale 20?? is still deeply etched in my mind. But I don't usually actively seek out artistic performances or exhibitions to attend. What I do catch, often and largely, depends on my much more artsy gal pal Geri. Come to think of it, almost all of the paid artistic performances I attended were with her! 😄

I was actually slightly reluctant to catch this particular one when she first suggested it to me, probably because I was feeling kind of broke and didn't really want to spend unnecessarily. But it had been a while since we met and her recommendations had never failed so far so I said "yes!" to ST/LL. This post is not a review on it. But here is an incredibly well-written review on it if that's what you want. I hope my writing skills reach that level sometime in the near future... but anyway my post is more about the thoughts and emotions it had evoked in me.

First of all, I should have noticed the ingenious subtlety of its title way earlier than 10 minutes before the start of the performance. But I did not. It was only when we were seated and perusing the programme booklet did it hit me like a ton of bricks (ok, maybe not that hard, it is subtle after all). I had assumed it was some kind of acronym or code - ST = standard and LL = long lens?!?! but it was a play of the word STILL.

Before I share the director's (Shiro Takatani) explanation of it, I need to put it out there this recurring thought/dream/imagery that I have been replaying in my mind for years. Consider a bowl of marbles. It can be a very serene scenario of pretty marbles sitting in a bowl. Then consider the bowl being upturned and that direct opposite of serenity as the marbles dispersed in all directions. Sometimes, there are marbles, other times there had been liquid, water, seeds, sticks etc. But always this replay of containment versus .... chaos? release? I could not make sense of it. I know there is some truth or knowledge or understanding to be gained from it. Something about the crazily minuscule point between the two states but I could not figure it out all these years. I had tried posing this odd "question" to just 2 people who I thought might have an answer for me but it is still unraveling to this day...

So... try and understand just how big my eyes widened as I read these words from the director:

ST/LL is taken from the word "still". The slash signifies a sense of being "in between" - for example, being between one moment and the next - and expresses the fluctuations between being tranquil or stationary to being busy or in motion. The slash also alludes to the idea to what extent can we recognise a very short amount of time?

I was ordained to watch this performance! By then, I literally could not wait for it to begin. Unfortunately, perhaps because I was not in the pink of health at that moment, I never quite got into a state of "meditation on silence" during the performance. My mind just refused to take a back seat and I was constantly trying to "make sense" and explain to myself what my eyes and ears were taking in. It really was a very arresting visual display. I was totally in awe with the technicalities, lighting and use of multimedia. [How in the world do they superimpose delayed or reversed images on a live stream?!?] However I much preferred the gentle swishing of water as the performers moved across the shallow pool onstage to the almost-oppressive music composition by Ryuichi Sakamoto.

At the end of it, I still had no answer. Perhaps there was never meant to be an answer? Or perhaps I had not properly formulated a question yet? In any case, I thought this was a perfect example of how art is the only way to express something that can never be fully explained in words, of any language. You can only experience it.



PS: Writing this post is also a way for me to determine if I ever get any closer to finding an answer in future.